December 08, 1978 (USA)
Michael Cimino, Deric Washburn, Louis Garfinkle...
Michael Cimino, Michael Deeley, John Peverall...
An in-depth examination of the way that the Vietnam war affects the lives of people in a small industrial town in the USA. Michael (Robert De Niro), Steven (John
Savage) and Nick (Christopher Walken) are factory workers from Pennsylvania who get drafted to fight in Vietnam. Before they go, Steven marries. After time and many
horrors, they fall in the hands of the Vietcong and are brought to a prison camp in which they are forced to play Russian roulette against each other. Michael makes
it possible for them to escape, but they soon get separated again.
Cast & Characters
Robert De Niro (Michael), John Cazale (Stan), John Savage (Steven), Christopher Walken (Nick), Meryl Streep (Linda), George Dzundza (John), Chuck Aspegren (Axel),
Shirley Stoler (Steven's Mother), Rutanya Alda (Angela), Pierre Segui (Julien), Mady Kaplan (Axel's Girl), Amy Wright (Bridesmaid), Mary Ann Haenel (Stan's Girl),
Richard Kuss (Linda's Father), Joe Grifasi (Bandleader)
In 1968, EMI, then the most successful record company in the world, went into the movie
business. The new company was called EMI Films, run by producers Barry Spikings and
Michael Deeley. Spikings had bought a script called The Man Who Came to Play, about
people who go to Las Vegas to play Russian roulette. He was always looking for talented
filmmakers, and set up a meeting with Michael Cimino after seeing Thunderbolt and
Lightfoot, the directorís first film, starring Clint Eastwood, and released in 1974.
Spikings didnít much like The Man Who Came to Play, but hadnít been able to get it out of
his mind. He talked it over with Cimino, who, according to Spikings, said, "You know why
youíre obsessed with it? Itís because the Russian roulette is a metaphor for what America
was doing with its young people, sending them to a war in a foreign place, when there was
no justification for it. I know something about Vietnam, and Iíve always wanted to do a
movie about it. Are you up for it?" Spikings replied, "Sure." That was the beginning of
The Deer Hunter. The film features an extraordinary cast, anchored by - and in part recruited
by - Robert De Niro, who played Michael, the lead, and was among the first to sign on. "I
liked the script, and Cimino had done a lot of prep," says the actor. "I was impressed."
De Niro knew every actor in New York; he was the magnet who attracted established actors
such as John Cazale - forever Fredo from the first two Godfathers - as well as up-and-comers
such as Christopher Walken, who had grown up in musical theater and who played Nick, the
Russian-roulette junkie; John Savage, who played Steven, the wedding sceneís groom; and
Meryl Streep, whom Cimino had seen in a production of Kurt Weillís Happy End on Broadway
and practically hired on the spot as Linda, the love interest for Walkenís and De Niroís
characters. Offscreen, her boyfriend was Cazale, who was ill with cancer and would die
shortly after The Deer Hunter finished shooting.
While The Deer Hunter and Coming Home were both being put together, Streep did a brief
scene opposite Fonda in Julia. Streep so impressed the veteran actress that she called
Bruce Gilbert, associate producer of Coming Home, and said, "Iíve seen somebody who is
going to be major. We should get her for Coming Home. Write this down: M-e-r-y-l... " But
Streep was already signed for another film - quite possibly The Deer Hunter, though no one
recalls for certain.) Meryl gave an insight on playing Linda in an interview with Ms. Magazine
in February 1979: "I was ecstatic to be in 'The Deer Hunter' because I was living with
John Cazale at the time and we could be in it together. That is so hard for actors, you're
always in different cities, missing each other... They needed a girl between the two guys,
and I was it." Having seen "The Deer Hunter", a three-hour epic about men and their bonds
and war and the blood that comes out of people when they are shot, you could sympathize
with Streep's problem. She rolls her eyes and croaks when she recalls the challenge of
portraying Linda in this male landscape. "I though to myself: Oh, boyyyy, how am I gonna
stand up for this character? I thought of all the girls in my high school who waited for
things to happen to them. Linda waits for a man to come and take care of her. If not this
man, then another man: she waits for a man to make her life happen." That was the reality
that Streep found for Linda, and it works. When her boyfriend's best friend flirts with
her, she's embarrassed, she doesn't know where to put her eyes. She shoves and pushes to
catch the bridal bouquet at a Russian-American babble of a wonderful wedding that goes on
too long and she does, she cries tears of happiness. When the "Welcome Home from Vietnam"
party doesn't work out (the returning De Niro orders his taxi to take him to a motel
instead), she sits alone among the flowers and pulls her blue sweater around her like an
old old lady. When De Niro surprises her the next day - he has really come home to her -
they walk through the little town and she holds his arm to tightly and so proudly that
you feel she
has been rescued from war. She is the girl who waits for someone to
give herself to, for anyone who will save her from the back room of that grocery.
Linda was a part that was fairly unwritten. They admitted they didn't have any idea what the girl
would say in any of these situations - just whatever I thought would be appropiate. On the one hand you could think of it
as negligent. On the other, it was great artistic freedom for me because I could really do my performance.I just remember
wearing a lot of polyester and it was July and so hot. I remember Chris Walken eating two shrimp, and that was his dinner
because he was trying to lose weight for the part. (Meryl Streep, Premiere Magazine, March 1997, More Magazine, December
During the Berlin International Film Festival in 1979 the Soviet delegation expressed its
indignation with the film which, in their opinion, insulted the Vietnamese people in
numerous scenes. The socialist states felt obliged to voice their solidarity with the
"heroic people of Vietnam". They protested against the screening of the film and insisted
that it violated the statutes of the festival, since it in no way contributed to the
"improvement of mutual understanding between the peoples of the world". The ensuing
domino effect led to the walk-outs of the Cubans, East Germans, Bulgarians, Poles and
Czechoslovakians, and two members of the jury resigned in sympathy. When released in
December of 1978, "The Deer Hunter" became an immediate success, winning five
Oscars in 1979 for Best Picture, Best Director, Best Actor in a Supporting Role (Christopher
Walken), Best Film Editing, and Best Sound. In addition, it was nominated for Best Actor
in a Leading Role (Robert De Niro), Best Actress in a Supporting Role (Meryl Streep),
Best Cinematography and Best Writing, Screenplay Written Directly for the Screen. Meryl
further received her career's first Golden Globe nomination and won the National Society
of Film Award in 1979.
Vincent Canby, The New York Times
"The Deer Hunter" is a big, awkward, crazily ambitious, sometimes breathtaking motion picture that comes as close to being
a popular epic as any movie about this country since "The Godfather." Meryl Streep, who has long been recognized for her
fine performances on the New York stage, gives a smashing film performance as the young woman, who, by tacit agreement
among the friends, becomes Nick's girl but who stays around long enough to assert herself."
Roger Ebert, The Chicago Sun-Times
"It is not an anti-war film. It is not a pro-war film. It is one of the most emotionally shattering films ever made."
Time Magazine, Time Magazine
"This excruciatingly violent, three-hour Viet Nam saga demolishes the moral and ideological cliches of an era: it shoves
the audience into hell and leaves it stranded without a map."
Peter Bradshaw, The Guardian
"A simple, much-forgotten fact slaps you in the face after watching The Deer Hunter. Vietnam was different to Iraq and
Afghanistan in one vital respect: the soldiers were drafted. They had no choice. The idea of sacrifice permeates
everything, along with the cruelty and horror. This is Cimino's masterpiece."
Simply Streep's Review
It seems that films like "The Deer Hunter" aren't made anymore. With a running time of three hours, it's not easy to
be consumed and uses your time and concentration. By doing so, "The Deer Hunter" remains one of the best anti-war films
that have been made, a story anchored in the heart of America and, as a film, having its place among the best films of
the 1970s. The acting is first-rate throughout, boasting some of the most talented young actors there were in the late 1970s.
Meryl's role, on the surface, is not a central character of the film, she's the stay-home girl, the war-bride who's
waiting. Even director Michael Cimino, as mentioned in interviews, didn't really know what to do with this role, so he
gave Meryl free hand in creating Linda. It's a testament to her stage experience and of the brilliance that audiences would
be allowed to witness until this day, in that she made Linda a deeply complex, human character - the face you think of just
like the male characters when they are in war and think back of the time home. It's a small but fantastic role for Streep,
who's won a well-deserved first Oscar nomination. "The Deer Hunter" deserves its place in cinema history. A classic. Very
Awards & Nominations for Meryl Streep
American Movie Award as Best Supporting Actress
National Society of Film Critics Award as Best Supporting Actress
Academy Award as Best Supporting Actress
Golden Globe Award as Best Supporting Actress
British Academy Award as Best Supporting Actress