October 29, 1999 (USA)
Susan Kaplan, Marianne Maddalena, Allan Miller...
After being left by her husband, single mother Roberta Guaspari (Meryl Streep) moves to Harlem to teach at an elementary
school, where discipline is a higher priority than the lively arts. Roberta believes that studying music will give
the children a sense of purpose invaluable in later life. Despite indifference from the school administration, Roberta - with
the support of the school's principal (Angela Bassett) - struggles to teach the violin to her students, instilling a love of
classical music in kids who might otherwise never have heard Mozart, and leading to a student recital at Carnegie Hall.
Cast & Characters
Meryl Streep (Roberta Tsavaras Guaspari), Aidan Quinn (Brian Sinclair), Angela Bassett (Janet Williams), Cloris Leachman (Assunta Guaspari), Gloria Estefan (Isabel Vasquez), Josh Pais (Dennis), Jay O. Sanders (Dan), Charlie Hofheimer (Nick), Kieran Culkin (Lexi), Jane Leeves (Dorothea von Haeften),
with special appearances by Isaac Stern, Itzhak Perlman, Arnold Steinhardt, Mark O'Connor, Michael Tree, Charles Veal Jr., Karen Briggs, Sandra Park, Diane Monroe, Jonathan Feldman
There were a unique set of challenges involved in bringing this incredible true story to the screen. The first was
convincing Guaspari, who still lives and works in Harlem, to trust her story to the film makers. Guaspari had already
consented to one such project. Her program was the subject of the 1996 Academy Award-nominated documentary, "Small
Wonders." In fact, it was this documentary that inspired the film makers to embark on this project. "Harvey Weinstein
approached me at a luncheon for all the nominated documentaries," Guaspari recalled. "He asked if I would let them do a
feature film on my whole story. I was leery. You don't want to sell yourself to Hollywood. But when I met Wes and spoke
more with Harvey, I was made to feel really confident and good. I wanted it to be legit, and it truly has been."
Finding the right actress to play Roberta was the next challenge. Not only would the role be demanding because of the
depth of the character and the range of emotions she experiences, but because the actress would have to play the violin.
Meryl Streep topped Craven's wish-list, but again he worried that his history as a genre film-maker would create a
barrier. Streep had not seen any of Craven's films, but she heard him give an interview on her favorite radio program and
was very impressed and intrigued by him. Unfortunately, because of her demanding schedule, she was forced to decline. A
replacement was found in no one less than Madonna, who showed interest in bringing Roberta's story to the screen. However,
after creative differences with Craven, which resulted in Madonna's departure, Meryl Streep was persuaded back, thanks to the
tenacity of both Weinstein and Craven. The only problem remained that Streep had to learn to play the violin - within six weeks.
That came to me late. I had to beg them to give me some more time for the violin part of it.
The gift was working with these children, who were endlessly inventive. It was like an acting primer; and it was the thing
I didn't expect. I was totally the boss! They didn't listen to Wes Craven at all. He'd say, 'Meryl, can you please...'
and I'd say, 'Awrighawrightawright! Everybody shut up!' And I thought, 'Hmmm. Maybe I could direct!' (Meryl
Streep, Entertainment Weekly, March 2000)
Streep, aside from having the daunting task of learning the violin while acting like a professional, also had the burden
of playing a real person. She found this to be particularly challenging. "Playing a real person carries with it a whole
other set of responsibilities than you would have when creating a fictional character," Streep continues, "So, I did as
much research as I could and then I just sort of threw it away because I can't think of the real Roberta. I had to make
it our Roberta, our movie Roberta. The real woman is a sizable phenomenon of energy, inspiration, hard work, irascibility.
I tried to capture little parts of her and put it together in the film." No one was more excited to work with an incredible
acting talent than film newcomer, Gloria Estefan, who had been looking to act for some time. "I was looking for a small
role in a meaningful film." Estefan knew she could learn a lot from Streep and she watched her carefully and did her best
to learn as much as she could from her. "Streep is very giving and very supportive to everyone around her." Estefan
continues, "I just saw her do a scene with the audience and the camera wasn't even on her and she did this amazing thing
that just made everyone spellbound and right into what she was doing, and it's a very giving thing for an actor to do.
That's why she is at the top of her game."
Simply Streep's Review
"Music of the Heart" feels like a light version of "Dangerous Minds" plus Mozart. The true story is inspirational and well acted,
but it's not enough for a feature film of two hours. Many scenes and supporting characters only stretch the story - and
while Robert's relationship with her mother or the man she meets through a personal ad might be of importance for the character
or the real person, it doesn't add anything to the overall story. It's not a bad movie though, because it has a good intent - and performances. Of all the actors, I found Angela Bassett very
good in the role of the school principal. The film wasn't received well by critics or audiences alike, I can only assume it
was because of the above reasons. And of course there's Meryl playing the violin as if she has done nothing else before.
I would consider "Music of the Heart" not one of her best films, but it's still above the average mainstream films. And I
bet it was a delightful departure for Wes Craven.
Awards & Nominations for Meryl Streep
Academy Award as Best Actress
Golden Globe Award as Best Actress
Screen Actors Guild Award as Best Actress