Simply Streep is your premiere source on Meryl Streep's work on film, television and in the theatre - a career that has won her three Academy Awards and the praise to be one of the world's greatest working actresses. Created in 1999, we have built an extensive collection to discover Miss Streep's work through an archive of press articles, photos and videos. Enjoy your stay - and check back soon.

A Nice Pizza

November 19, 1969 · The Experimental Theatre of Vassar College
Directed by: Clinton J. Atkinson · Literature: Warren Giarraputo
Michael (Chris Bezoff) unsuccessfully tries to hang himself. The succeeding action reveals to us his current love Karen (Mary Anne Page) his past loves (his roommate and his mother), and a murder that may or may not have been committed. Sitting always on the side, mockingly and aloof, as if they were his conscience, are a man and a woman, who alternately enter into the action as mother, female lover, homosexual lover, and father.
Cast & Characters
Chris Bezoff (Michael), Mary Anne Page (Karen), Karl Weakley (The Man), Meryl Streep (The Woman)
Production Notes

A review in Vassar’s Miscellany News from November 21, 1969 writes: I though better than the first play, “Upstairs Sleeping” is far surpassed by Warren Giarraputo’s “A Nice Pizza.” Everything about this play clicks, Gone are the echoes of stale absurdism, instead we have a play that, through juxtaposition of past and present, real and surreal, investigates the sexual hang-ups and fantasies of a young man. Perhaps its only weakness is that the action is sometimes difficult to piece together. The opening scene, which is both macabre and hilarious, sets the tone of the play. The acting here is very fine. Chris Bezoff, pathetic and wildly funny throughout, outdoes himself in the concluding monologue in which he tells ola Child devoured by a group of carnivorous tulips at the zoo, Mary Anne Page, as Karen, blends pity and incredulousness very well. Meryl Streep and Karl Weakley as the woman and man lend strong support. If this is the new direction in which American theater is heading, then all is well. If the other genre proves domuiant. we can look forward to forms already perfected – and essentially used up – by others.