When people say Meryl Streep is a great actress, they mean grand actress — one who calculates her moves, her makeup and her accent, and then turns up the thespic volume until her character risks becoming caricature. The tactic works when she plays Dragon Lady roles like the fashion doyenne in The Devil Wears Prada, less so in the more naturalistic settings of Mamma Mia! and Doubt. But given a famous woman to play, Streep eerily locates the voice, face and soul: of Julia Child in Julie & Julia and, with startling acuity, of Margaret Thatcher in this biopic. Smartly written by Abi Morgan (who co-wrote Shame) and directed by Mamma Mia!’s Phyllida Lloyd, the film spans nearly the complete life of Britain’s first female Prime Minister, from her youth as a greengrocer’s daughter through Oxford and her early years in the Conservative Party (when she is played by Alexandra Roach). Streep takes over in Maggie’s middle age and escorts the PM into a restless retirement, both haunted and warmed by the specter of her late husband Dennis (a marvelous Jim Broadbent). Her performance is a miracle of inhabiting, not editorializing; it turns the boss of 10 Downing Street into a woman meriting our sympathy and sadness. This time, grand is great. Full list and more articles on the Time website.
Time Magazine: The Movie Performance of the Year |
4 visitors have commented on this article



Mike
December 17th, 2011
I don’t understand all the hate she gets for Doubt. I thought it was one of her greatest performances. I still get chills everytime I watch it.
liezl
December 11th, 2011
The accents and the looks are a bonus every time I watch Meryl. But the most important in her performances is her ability to give soul to the characters and to find that “human thing” judgmental people usually miss. I dont think the article is accurate because she has been consistent with this ability throughout the years and not only for The Iron Lady movie.
Steve
December 10th, 2011
I a disagree with the author’s characterization of Streep’s preparation and style of acting. Yes in ‘Doubt’ she missed the mark, in a rare performance where she overplayed her hand but most of the time she just nails her roles whether they are people in a naturalistic setting or a Dragon Lady. The author only need see movies like Silkwood, One True Thing, and yes take a second look at Mamma Mia to realize she is the most versatile American actress in film. She can be naturalistic, she is NOT a technical actress as her detractors keep claiming. She can be anyone. No other American film actress has been able to do what she has done over a nearly 40 year period.
charlie
December 9th, 2011
I’m sure there was a compliment for Meryl’s skill in there somewhere….