Simply Streep is your premiere source on Meryl Streep's work on film, television and in the theatre - a career that has won her three Academy Awards and the praise to be one of the world's greatest working actresses. Created in 1999, we have built an extensive collection to discover Miss Streep's work through an archive of press articles, photos and video clips. Enjoy your stay.
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This week’s spotlight movie is “One True Thing”, the 1998 adaptation of Anna Quindlen’s novel. Meryl Streep and Renee Zellweger play mother and daughter who have to face loss and family secrets when the mother is diagnosed with cancer. It’s a small, well acted film, one for the heart. Full review and production notes can be found after the cut. The image library has been upaded with new screencaptures and promotional stills from the film. Edit: Video clips from the film – scenes, making of, theatrical trailer in better quality – have been added to the video archive. As always, tell me what you think of “One True Thing” in the comments.

Production Notes

“One True Thing” is based on Pulitzer Prize winning journalist Anna Quindlen’s 1995 novel of the same name. For director Carl Franklin, the story presented an opportunity to tackle a film unlike any he has directed. Best known for the acclaimed independent feature “One False Move”, Franklin might have been an unlikely choice for “One True Thing”, except that his passion for the project was unsinkable. The story was clearly in keeping with one of his foremost concerns: the importance of family and community in diverse American lives. Kate Gulden fascinated Streep not only with her deep maternal qualities, but with her hidden complexities – especially her complicated and undying love for her difficult husband George. “One of things that interested me about this story is how if you look at anybody else’s marriage, especially your parent’s marriage, it is completely inscrutable. You just can’t understand it. As a child, you look at your parents and you make your decisions about them: which one’s the bad guy and which one’s the good guy, and who they really are. And often you get it completely wrong. Ellen has gotten Kate completely wrong and now she’s learning who her mother really is. It’s a powerful thing to attempt.

I was talking to Anna Quindlen the other day, and she said, ‘I couldn’t get over how nice you were to my kid on the set the day you were about to go up to the bedroom and do the pivotal emotional scene.’ But I was so glad she brought her kid on the set, I was so glad I had something else to think about, because these feelings are so dangerous. As an actor, sometimes you do everything you can to push a feeling away from you, because you don’t have to work for it. It’s too accessible, it’s all right there, and you’d better damn well do your best to think about lunch or complain about your wardrobe. It was like the choice scene in ‘Sophie’s Choice’. I read that scene once when they gave me the script. I didn’t ever want to look at it. I knew what that was going to be. I didn’t have to practice. You don’t want to make any connections to your own life – just don’t go there. (Meryl Streep, Entertainment Weekly, 2000)

Adds Carl Franklin: “I think what makes Kate so interesting is that she is never judgmental. It’s part of her nurturing quality to let her family members have the freedom to be who they are. Meanwhile, Ellen is operating under a lot of preconceived pressures and expectations that have been imparted to her by her father and Kate sees that and wants her to break that chain.” He continues: “It was very exciting to have Meryl in this role. Her emotional commitment to the character and what she represents was so strong. You know, there’s a magic with actors like Meryl Streep and William Hurt in that they just mysteriously get to the heart of their characters. You can’t really even see their process. It just happens.”

Frederik’s Review

“One True Thing” is a brave character study of a family whose lives are changed and influenced by their mother’s suffering of cancer. In of of her many 1990’s mother roles, Meryl’s Kate Gulden is a highly annoying mom. She comes off candy-coded, over emtional, shriek and perfect about everything – from a birthday cake to her mosaic table to the Christmas tree decoration. We get to understand that Ellen, the ambitious journalist, has always liked her father more, who seems more down to earth and with a job to look up to, over her mother’s “housewife life”. And Meryl Streep does a magnificent job as the most annoying mother you could imagine. But as her disease progresses, we get to know the person behind the “mother”. She’s the one who’s keeps the family together, who’s there for others, who needs her activities to make room in her head for thoughts other than her husband’s infidelity. We also see the times when she’s losing her temper, throwing dishes and wanting to be healthy again. The most emotional scenes are between Meryl and RenĂ©e Zellweger in the latter half of the film when it becomes apparent that this is not a temporary nurse job but a farewell. The film is beautifully acted and very moving. I had reminded it of being more television-style until I recently re-watched it, it’s deeper and more thoughtful than I remembered. Recommended!