The initial batch of all very positive reviews are in for Greta Gerwig’s “Little Women”. The adaptation had a 96 percent score on Rotten Tomatoes as of Monday morning. The Hollywood Reporter‘s David Rooney wrote that the film is “gratifying.” He added that Gerwig brings “freshness, vitality and emotional nuance to source material” that has been adapted multiple times. “Gerwig skillfully navigates the line between respecting the story’s old-fashioned bones while illuminating the modernity of its proto-feminist perspective, only occasionally leaning into speechy advocacy of a woman’s right to self-actualization beyond marriage,” Rooney wrote. He added that the cast “may be slightly bound by their canonical character types, but there’s lovely ensemble work here.” After praising the individual performances, specifically Ronan and Pugh, Rooney added that the film is “pleasingly paced.” He concluded, “Gerwig has taken a treasured perennial of popular American literature and reshaped it for a new generation, which should give the captivating film a long shelf life.”

Kate Erbland of IndieWire also gave Little Women a positive review. The critic noted that while Gerwig “modernized the book’s timeless story in unexpected ways,” it’s clear the director has “affection for the original, and keenly aware of how the concerns of Alcott and the March sisters (loosely based on the author’s own family) have never quite abated, no matter the time.” Erbland wrote that Ronan’s performance was “vibrant,” while Pugh’s interpretation of Amy “has more dimension than we’ve seen in previous cinematic adaptations of Alcott’s book.” She added that Little Women has its flaws, including when Watson speaks with an American accent and that “a handful of characters aren’t given nearly as much dimension as the sisters.” Erbland concluded,”Gerwig’s Little Women offers its own delightful storybook polish, in its own unique terms, and what a comfort that is.”

Alan J. Pakula, who died in 1998 at the age of 70 in an auto accident, was a most unusual filmmaker. Though his peers, including Stanley Kubrick, Martin Scorsese, Steven Spielberg, Roman Polanski, George Lucas and William Friedkin, were as well-known as the stars of their films, Pakula stayed out of the limelight and let his films speak for themselves. And what films – some of the most memorable titles of the last half century. The AFI Fest in Hollywood is paying tribute to Pakula with free screenings of “Sterile Cuckoo,” “Klute” and “Sophie’s Choice” and a free screening Sunday evening of Matthew Miele’s thoughtful new documentary, “Alan Pakula: Going for Truth.” That film features insightful and often emotional interviews with Robert Redford, Harrison Ford, Meryl Streep, Jane Fonda and Dustin Hoffman, co-workers and family and numerous clips. Streep, Hoffman and Ford recently talked to The Los Angeles Times about what made Pakula such a powerful filmmaker and person. The quotes have been edited for clarity and brevity. You can watch the trailer for “Alan Pakula: Going for Truth” on Youtube. Many thanks to Glenn for the heads-up.

I think he really laid a map of integrity for artists, and that, more than anything, is his legacy for me. He was such a moral filmmaker. It’s like an old-fashioned idea, but he was. He was a moral man and he had a backbone. He loved women and respected them. So I mean it was that thing where you feel listened to instead of tolerated. It’s a really a great, great quality. All the best male directors have it. All the best female directors have it naturally.

Meryl Streep, Lin-Manuel Miranda and Emma Stone will host the 2020 Met Gala, marking Streep’s first time attending the fashion-focused event. Louis Vuitton creative director Nicolas Ghesquière will co-chair alongside the trio. Additionally, the designer brand will be sponsoring the event, taking place May 4. The theme of next year’s gala, “About Time: Fashion and Duration,” will implore attendees to “explore how clothes generate temporal associations that conflate past, present and future” by utilizing Henri Bergson’s concept of la duree, per the Met’s official statement. “Virginia Woolf will serve as the ‘ghost narrator’ of the exhibition.” With fashion aficionados like Billy Porter, Lady Gaga and Zendaya (who rocked a Cinderella ensemble for this year’s Camp theme), next year’s event will likely make for some interesting grayscale looks as the exhibition attempts to detail the “linear chronology of fashion” and focus on “the fast, fleeting rhythm of fashion.” Juxtaposed against the black ensembles will be a cluster of white outfits and accessories that “predate or postdate those in black, but relate to one another through shape, motif, material, pattern, technique, or decoration,” said the Met’s statement. The exhibition will close with a section on the future of fashion to explore the topic of longevity and sustainability.

On Monday, Meryl Streep, Greta Gerwig, Florence Pugh and Laura Dern, alongside her mother Diane Ladd, attended a screening for “Little Women” in Los Angeles. During a luncheon on Saturday, Gerwig talked about working with Streep on the film. In the director’s upcoming film, Amy March (Florence Pugh) delivers a powerful monologue to explain to Theodore “Laurie” Laurence (Timothee Chalamet) how she is hindered by a woman’s place in society. She tells him that when she marries, her husband would own any money she has and he would own her children. Gerwig told the crowd at the Teen Vogue Summit in Los Angeles that she wants to give credit where credit is due, confessing that she took the dialogue “basically verbatim” from a conversation with Streep. “When I started working on this project, Meryl Streep did just tell me that she was going to be in it. Because she loves the book and she told me … ‘I’ll be Aunt March.’ She said, ‘Write me some good lines.’ I was like, ‘I will,’” Gerwig said. “We had a lunch and she said, ‘This is what you have to communicate to the audience about the position of women, that they don’t even own their own children. It’s not just that they couldn’t vote, it’s not just that they didn’t have jobs. They didn’t own anything. If you wanted to leave a marriage, you could leave but you would leave with nothing, not even your kids. So it is the decision.’ So I basically verbatim took that and gave that to Florence.”

Backstage has a very interesting interview with Meryl Streep’s stunt-coordinator from “The Laundromat”. Stunt coordinators have one of the most high-pressure jobs in the biz: keeping actors and everybody else on set safe. So imagine the pressure, then, when one of those actors happens to be Meryl Streep. Charlie Croughwell can attest, however, the stunt coordination veteran kept his cool working with Streep on “The Laundromat.” The Stephen Soderbergh feature, now streaming on Netflix, features one of Streep’s most involved stunts to date wherein a boat capsizes. Croughwell, along with his daughter who happens to be Streep’s stunt double, greeted the feat with aplomb—and he tells Backstage all about it, from pre-production meetings with Miss Meryl, to how he kept one of the greatest living actors out of harm’s way so she could deliver her best performance. The full interview can be read over at Backstage with many thanks to Glenn for the heads-up!

Anytime we have someone interacting with a body of water, we need to assess their comfort level. I let production know that I needed to get Meryl’s take on her comfort with water scenes and that we would need to get her in the tank at [a dive facility]. I needed to see how comfortable she is not only swimming but breathing from an air source. I had two dive masters as well as her stunt double and two water safety people on the day. We laid out all of the dive equipment we could have possibly needed: a wetsuit for Meryl, towels, showers. Her assistant arrived a bit before her, checked over the plan and we waited. Only a few minutes went by and up pulled Meryl. We went out to greet her. Once out of the car I began explaining to her the process we had planned and that she would be in different clothing on the day. The pro she is, she said, “These are the clothes I’ll be wearing and I’m very comfortable with what I need to do.” With that, we went into the tank area, she jumped in, we all jumped in and within 30 minutes we were done and she was on her way.

Greta Gerwig’s highly anticipated directorial follow-up to Lady Bird reunites the filmmaker with Ronan and fellow Lady Bird co-star Timothée Chalamet to tell one of literature’s most beloved stories. Meryl Streep represented the film yesterday at a New York screening accompanied by her friends, playwright Tracy Letts and author of “One True Thing”, Anna Quindlen. Here’s what the critics are saying so far about Greta Gerwig’s Little Women, as compiled by Looper: Entertainment Weekly columnist David Canfield tweeted that Little Women was one of his “very favorite movies of the year,” furter noting, “Greta Gerwig delivers a both passionately faithful and gorgeously original take” and going on to praise several of the film’s leading performances.Kara Warner from PEOPLE Magazine wrote, “Greta Gerwig’s @LittleWomen is wonderful. A loving, meticulously-crafted adaptation that exceeded my expectations. Heartfelt, moving and a terrific showcase for its extremely talented cast and beloved source material.” New York Magazine’s Kyle Buchanan enjoyed the film, but felt there were some caveats. In a Twitter thread, he wrote, “Greta Gerwig takes the straightforward story of Little Women and boldly scrambles it, starting two-thirds of the way through and retelling most of what you remember via flashbacks and cross-cutting. Call it Louisa May Alcott meets 21 Grams[…] At best, it’s a fresh approach that makes you rethink familiar material. But it can also make simple plot and character developments a bit harder to locate.” He also singled out the performances, particularly Pugh’s: For my money, the MVP in Little Women is Florence Pugh. Hot off of Midsomar, Pugh is having a great year, and she’s hilarious and winning as Amy, the character best served by Gerwig’s structural gambits.”