Simply Streep is your premiere online resource on Meryl Streep's work on film, television and in the theatre - a career that has won her acclaim to be one of the world's greatest living actresses, winning three Academy Awards for "Kramer vs. Kramer", "Sophie's Choice" and "The Iron Lady". Created in 1999, Simply Streep has built an extensive collection over the past 25 years to discover Miss Streep's body of work through thousands of photographs, articles and video clips. Enjoy your stay and check back soon.
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I’ve replaced the previously added featurette on “The Iron Lady” with a longer version, featuring more interview bits by Meryl and the cast of the film as well as a couple of new and extended scenes. Additionally, HD captures have been added to the image library.
Before these get forgotten as “something from last year”, quality scans from the January 2012 issue of the American Vogue have been added to the image library. Enjoy!
Yesterday, Meryl and Phyllida have attended the Paris premiere of “The Iron Lady”. While being in France, Meryl has also taped a couple of interviews, which will be posted on the site next. For now, enjoy the pictures from the Paris premiere in the image library.
Also, Meryl was interviewed on the French programme Le 20 Heures about “The Iron Lady”. The full interview, which is dubbed in French, can be watched in the video archive.
These coming days, Meryl will do the talkshow rounds to promote the US and international releases of “The Iron Lady”. Updated: On Monday, she will be a guest on the French talkshow Le Grand Journal, which airs at 19h10 on CanalPlus. On January 12, there will be two US appearances, the first on the Ellen DeGeneres Show and later that day on Jimmy Kimmel Live. If you miss any of these appearances, don’t worry as they’ll be uploaded to Simply Streep afterwards. Thanks to Christy for the heads-up on the Ellen appearance.
Edit: Apparently her interview on Le Grand Journal will be taped today, but broadcast on Monday. Thanks to Jeff for sending this in.
Three new video clips have been added to the archive. The firt is a compilation of tv reports on yesterday’s London premiere, featuring interviews with Meryl, Phyllida Lloyd, Jim Broadbent and other cast members. The second is a lenghty interview by Film Four with Meryl and Phyllida. The third is a report by Extra, filmed during the US press junket for the film. Enjoy the new clips.
Meryl has walked the blue carpet at the London premiere of “The Iron Lady”. A total of 162 pictures has been added to the image library. Update: 74 more pictures have been added.
A new US featurette for “The Iron Lady”, featuring a bunch of new and extended scenes from the film, has been added to the video archive. And a couple of new pictures from the set have been added as well. Check back later today for coverage on the London premiere.
According to the Chicago Tribune, “The Iron Lady” proved her mettle this weekend. The biopic opened to a remarkable $280,409 at four theaters — a per-screen average of $70,102. That’s the third-highest specialty opening of the year, after “Midnight in Paris,” “The Tree of Life” and “Tinker Tailor Soldier Spy.” The movie will expand to more theaters January 13. “We couldn’t be happier with the results,” Erik Lomis, the Weinstein Company’s distribution chief, told TheWrap on Monday. “Obviously it’s the number one screen average by a mile for the weekend.”
Great news from Germany. The Berlin Film Festival said Monday it would award Meryl Streep an honorary Golden Bear next month in recognition of her decades-long career. “Meryl Streep is a brilliant, versatile performer who moves with ease between dramatic and comedic roles,” the festival’s director Dieter Kosslick said in a written statement. The award will be presented on February 14 at the screening of “The Iron Lady”, while audiences at the Berlinale, as the festival is known, will also be able to see five of Streep’s other films under its Homage section. In 2003, Meryl Streep shared the Berlinale’s Silver Bear award for best actresses with Julianne Moore and Nicole Kidman for their performances in “The Hours”. Thanks to Sandra for the heads-up!
While picking a Movie of the Week for the holidays, I felt reminded that Meryl never did a Christmas themed film (good for her), so I chose the one that comes closest. In 1984’s “Falling in Love”, Meryl Streep and Robert De Niro, happily married to others, meet accidentally while Christmas shopping and fall in love. Read the production notes and review below. Quality screencaptures and three video clips from the film have been added to the archives. As always, share your thoughts on the film in the comments.
When this first-time screenplay by Michael Cristofer came along in the early 1980s, actor Robert De Niro had exhausted himself making twenty movies in fifteen years. Most of De Niro’s roles had been extremely demanding both physically and emotionally. By consistently tackling edgy and wildly different parts, he had become known as one of the world’s greatest actors. Falling in Love gave De Niro a chance to take a refreshing detour from his usual mean streets onscreen. This simple story about two married suburbanites, Frank and Molly, who fall in love on the train, allowed De Niro to play a regular guy and explore his more romantic side for a change. De Niro had been looking for another opportunity to work with actress Meryl Streep, with whom he had co-starred in The Deer Hunter (1978). “I was always thinking of something I could do with Meryl,” said De Niro at the time, “a play, a film, anything. We had a reading and began to see possibilities in it.” The desire to work together was mutual, and the role of Molly seemed like the right choice at the right time for Streep. “We wanted something real,” she said, “something awkward and crumpled.” Even though the part of Frank Raftis was without the dark intensity of most of his other roles, De Niro found playing Frank every bit as challenging. “It only appeared to be easier,” he said of his character. “You always have to worry. You always have to concentrate. It’s just more deceptive when you are working on the surface.” For simple scenes that had De Niro holding a telephone conversation with his wife, he showed his attention to detail and authenticity by asking writer Cristofer to pen dialogue for his wife’s end of the conversation, even though you don’t see or hear her in the scenes. He also reportedly had business cards printed up with his character’s name and business on them, which never appear in the movie.