The Hollywood Reporter has put “The Prom” stars Meryl Streep, Kerry Washington, James Corden, Jo Ellen Pellman, Keegan-Michael Key and Nicole Kidman on their cover with a lenghty interview inside their October 07 issue: “Should I just drop Meryl?” Keegan-Michael Key is cradling Meryl Streep in a dip as the 21-time Oscar nominee, wearing a pink-sequin pantsuit and heels, gazes admiringly up at him. The two are dancing underneath the basketball hoops in the Helen Bernstein High School gym in Los Angeles, which is decorated with beaded curtains, white balloons, twinkly lights and vases of flowers. It’s March 6, 2020, and the let’s-put-on-a-show! energy is palpable on the set of the Ryan Murphy movie The Prom, where Murphy is shooting his dance number finale, an anthem of acceptance featuring some 300 young LGBTQ extras in formal wear. The real high school is still in session around the production, and occasionally the school PA crackles with an announcement, briefly puncturing the glamour of the moment. Inside the gym, Streep, Key, Nicole Kidman, James Corden, Kerry Washington, Andrew Rannells, Tracey Ullman and newcomers Jo Ellen Pellman and Ariana DeBose are dressed in coordinated shades of turquoise, pink and purple and gathered under bright lights to dance and lip-sync to the track they have already recorded of the film’s capper, “It’s Time to Dance.” The complete article can be read over at The Hollywood Reporter.

The TV industry’s shiniest night of the year, a.k.a. the Primetime Emmy Awards, looked much different this year, given the never-ending pandemic. The ceremony’s host, Jimmy Kimmel, was literally fired up to emcee the festivities again, this time from the mostly vacant Staples Center in L.A., with winners accepting awards remotely, virtually, and digitally. If you tuned in just for Meryl, there wasn’t much to see. She was nominated as Outstanding Supporting Actress in a Drama Series for “Big Little Lies” along her co-star Laura Dern as well as Fiona Shaw (Killing Eve), Sarah Snook (Succession), Helena Bonham Carter (The Crown), Samira Wiley (The Handmaid’s Tale) and Thandie Newton (Westworld), but “lost” to Ozark’s Julia Garner, and wasn’t featured by camera during the nominations. Garner took to Instagram after winning the Emmy to praise her fellow nomninees, including Meryl: “Also I want to give a special thanks to Meryl Streep, who wasn’t on the zoom call tonight. When I was 15 I watched Sophie’s Choice and it made me want to be an actress. I wouldn’t be doing this if it weren’t for you. And thank god because I don’t really know how to do anything else!! So thank you. Love to you all!!” The category segment can be watched below and in the video archive.

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Meet the incredible icon-packed cast of Netflix's THE PROM. A group of true troopers who buckled up and finished shooting during COVID so we could give everybody an inspirational aspirational story that we all need right now. Christmas is right around the corner…

Ein Beitrag geteilt von Ryan Murphy (@mrrpmurphy) am Aug 31, 2020 um 8:30 PDT

Director Ryan Murphy shared a photo of his cast on Monday in which Streep debuted red hair while wearing hoop earrings, red lipstick and a red shawl. “Meet the incredible icon-packed cast of Netflix’s THE PROM. A group of true troopers who buckled up and finished shooting during COVID so we could give everybody an inspirational aspirational story that we all need right now,” Murphy wrote in the caption. The American Horror Story creator teased the release date, adding, “Christmas is right around the corner…” The Prom follows the story of Emma (Pellman) and Alyssa (DeBose), two high school students in love. When they’re banned from attending prom together, a group of fading Broadway stars (Corden, Kidman, Streep, Rannells) learn of their trouble and seek to help. Streep is playing Dee Dee Allen, a Broadway performer who stars in a flop musical about Eleanor Roosevelt alongside Corden’s character. The adaptation follows a successful run for the musical that earned seven Tony nominations, including best musical and best book of a musical. The Prom also made history in 2018 by featuring the first same-sex kiss televised on the Macy’s Thanksgiving Day Parade. The film is set to stream on Netflix later this year.

Big congratulations to Meryl Streep for receiving a Primetime Emmy Award nomination earlier today as Outstanding Supporting Actress In A Drama Series for “Big Little Lies”. She shares the crowded category with Laura Dern for “Big Little Lies”, Fiona Shaw for “Killing Eve”, Julia Garner for “Ozark”, Sarah Snook for “Succession”, Helena Bonham Carter for “The Crown”, Samira Wiley for “The Handmaid’s Tale” and Thandie Newton for “Westworld”. “Big Litte Lies” fared ok in the overall nominations with five, although only two actresses – Dern and Streep – made the cut. The other nominations come in the categories for Outstanding Production Design For A Narrative Contemporary Program, Outstanding Casting For A Drama Series and Outstanding Contemporary Makeup. In comparison, the first season of “Big Little Lies” scored 16 nominations in 2017, winning 8 – including for Outstanding Limited Series and its stars, Nicole Kidman, Laura Dern and Alexander Skarsgard. Meryl Streep’s track record at the Emmys is equally impressive – she has won 3 Emmys out of 4 nominations so far – as an actress for “Holocaust” in 1979 and “Angels in America” in 2004 as well as a narrator for the Netflix documentary “Five Came Back” in 2017. The Emmys will be handed out on September 20, 2020. Edit: Meryl’s management forwarded the following reaction to various news outlets:

Thank you!!! I am very honored to be in the company of such gifted women, who have helped us all get through this screen centered moment in time!”

According to The Hollywood Reporter, Ryan Murphy’s film The Prom – starring Meryl Streep, Nicole Kidman and James Corden – is starting up production again on Thursday at Raleigh Studios in Hollywood. The movie, which had two days left of shooting when the pandemic forced an industry-wide shutdown, is slated to film for the next four days. Not all of the stars are expected to be on set, however, as some had already wrapped their parts. Murphy’s star-studded Broadway adaptation marks the second major project from the streamer to return to production in the U.S. this month, after Adam Sandler’s comedy movie Hubie Halloween went through with a day of pick-ups earlier in July. The production was said to go off without a hitch, though insiders note that the streamer was limited in what it could draw from the experience given the short duration of the shoot. Since The Prom plans to film for multiple consecutive days, sources say it’ll likely serve as a better test case for the company, which sources note has developed its own set of health and safety protocols. Says one insider, “Netflix is serious about the plan they put together and is using this as a test run for their other productions.” Given the fluid nature of the situation, some studios, including Warner Bros. and Universal’s TV arms, have pushed back their target shoots dates from August to September. Holding them back, say insiders, are continued negotiations with the guilds over aspects of the COVID protocols. Among the issues still being hashed out: the role of COVID-19 managers, the frequency and type of testing, 10-hour workday caps and sick day compensation (meaning whether or not crew members who fall ill to the virus still get paid).

Monumental Women, the all-volunteer nonprofit group bringing the first statue depicting real women to Central Park, has announced that award-winning actors Jane Alexander, Viola Davis, America Ferrera, Rita Moreno, Zoe Saldana and Meryl Streep will portray Sojourner Truth, Susan B. Anthony and Elizabeth Cady Stanton in English and Spanish-Language ‘Talking Statues’ monologues that will accompany the Women’s Rights Pioneers Monument. According to Broadwayworld.com, The Monument featuring Truth, Anthony and Stanton is set to be unveiled on Central Park’s Literary Walk on August 26, 2020, the centennial anniversary of the ratification of the 19th Amendment, when women won the right to vote. Actors Jane Alexander and America Ferrera will voice Susan B. Anthony, Viola Davis and Zoe Saldana will voice Sojourner Truth, and Meryl Streep and Rita Moreno will voice Elizabeth Cady Stanton. Monumental Women began working to develop the Women’s Rights Pioneers Monument and “break the bronze ceiling” by securing a prominent location on Central Park’s famed Literary Walk in 2014. The organization raised $1.5 million in private funding to pay for the statue, which is being designed by nationally-recognized sculptor Meredith Bergmann. In the statue, Bergmann shows Anthony, Stanton, and Truth working together when they met to advance the fight for equality, justice, and women’s rights. They are depicted as equals, working together at a table, with each taking on an essential element of activism: Sojourner Truth is speaking, Susan B. Anthony is organizing, and Elizabeth Cady Stanton is writing. The Women’s Rights Pioneers Monument honors three New York women who dedicated their lives to women’s rights and to women winning the franchise, though none of them lived long enough to see it happen.

In a coming attractions trailer, HBO Max gives us a first look at “Let Them All Talk”, and Entertainmnent Weekly writes about it: Let them all talk… about Meryl Streep’s arrival on HBO Max. The streaming platform picked up the rights to the Oscar winner’s new movie with director Steven Soderbergh early in the shelf life of the service, and now the streamer has snuck in the first look at the actress’ latest eye-turning performance in Let Them All Talk. Tucked away around the 1:52 time stamp of the latest trailer for HBO Max’s upcoming offerings is a look at this gem, which also stars Dianne Wiest (Edward Scissorhands), Candice Bergen (Murphy Brown), Lucas Hedges (Manchester By the Sea), and Gemma Chan (Crazy Rich Asians). “Here’s to reconnecting the gang of three,” Streep says as her author character, who takes a cruise with her besties, played by Wiest and Bergen. Based on Bergen’s next line, it seems there’s a lot of self-reflection involved with this trip. “Who’s the real you?” she questions. “Does anybody trust you?” Meanwhile, off in the quiet corners of the film (and the trailer), there’s Hedges, playing Streep’s nephew, trying to romance Streep’s literary agent (Chan). The trailer briefly highlights a number of other programming, including Jude Law in HBO’s limited series The Third Day, Ridley Scott and Aaron Guzikowski’s Raised By Wolves sci-fi series for HBO Max, and The Big Bang Theory’s Kaley Cuoco in the series The Flight Attendant. Then there are the more heavily promoted shows like HBO’s Perry Mason and Lovecraft Country, and HBO Max’s Seth Rogen-led film American Pickle.

We conclude our weekly series on Meryl Streep’s films of the 1990s, which started 12 weeks ago and was originally designed with the thought that our lives would have been back to normal 3 months later. Unfortunately this is not yet the case. To all visitors, readers and friends, stay healthy and strong. And enjoy a Saturday dose of “Music of the Heart” if your’e strong enough :-)

The combination of Wes Craven and Meryl Streep in the late 1990s seemed like the most far-fetched idea Hollywood could offer around that time. After all, Craven had single handedly revived the slasher genre with „Scream“, the following films in the franchise and countless knock-offs of who did what when during Summer vacation. Of course, Craven wasn’t new to the genre – he created „A Nightmare on Elm Street“ in 1984, significantly mixed horror cliches with humor and satire and became the „Master of Horror“ for legions of fans. So, what could he possibly be filming with Meryl Streep, if it wasn’t a part of Ghostface’s crazy mother? The story behind the making of „Music of the Heart“ is a prime example to never judge a book by its cover, nevermind how bloody or gory it may be.

“Music of the Heart” tells the story of real-life teacher Roberta Guaspari as she rebounds from a painful divorce and moves to New York with her two sons to start what’s become the hugely popular East Harlem Violin Program. “I wouldn’t have the ability to play the violin. I never would have even thought about it without the gift of that program,” she said during a interview with the Los Angeles Times prior to the film’s release. „“The only reason that I’ve fought so hard through the years is that I love teaching, and I don’t want to stop. The only thing that’s changed in my life now is that I’ve got 10 more things to do all the time.” Guaspari hesitated when Miramax Co-Chairman Harvey Weinstein asked to do a feature based on her life, and then told her that a man known for horror films would direct the project. “I was really frightened, to be quite honest. It was like selling myself to have to put my life up on the screen. All of my friends and family said, ‘No, don’t let them do it,’ ” Guaspari says. But she is satisfied that Weinstein and Craven kept their promise to take care of her story, though it is one that presents a slightly warmer classroom atmosphere than the more disciplined learning environment favored by the real-life instructor.

„Dancing at Lughnasa“ remais a curiosity in Streep’s filmography, but a lovely one. Brian Friel’s play about five unmarried sisters in 1930s Ireland was a runaway hit after ist 1990 premiere in Dublin and later London, winning the Olivier Award for Best Play, followed by its transition to Broadway the next year and winning the Tony for Best Play and a Best Featured Actress award for Brit Brennan. But besides its success on the stage, „Lughnasa“ was never a dead-ringer to become a box office hit in theatres. Streep’s casting secured the film an international spotlight and decent reviews, but it struggled to find a mainstream audience. Today, „Dancing at Lughnasa“ reigns among Streep’s fine work in the 90s, but is often forgotten to be mentioned at all.

Friel’s story explores themes which were central to Irish cinema and to Irish culture more generally in the 20th century, namely, emigration; the position of women in Ireland (rural) society, including illegitimacy, being unmarried and working at backbreaking labour; the relationship between the legacy of popular ‘pagan’ religious practice and the institutional church; and the point-of-view of a young boy recalling his childhood and the events which formed him. In 1936, five sisters live in quiet desperation in the small town of Ballybeg in Donegal.The eldest sister, Kate, a local schoolteacher is a woman of rigid beliefs. On the surface she is a formidable woman,a little feared but deeply loved by all of her sisters, especially Maggie, who has a kind benevolent heart, a wicked sense of humour and a wild fondness for life. Agnes is a quiet, deep woman with secret reserves of courage. She is devoted to Rose, who is simple, frightened of no danger because she does not know any. Rose has embarked on a relationship with a local married man, Danny Bradley much to the concern of her sisters. Christina, the youngest, has defied the strict morality of her society and given birth to a love child, Michael. All of their lives are thrown into turmoil by the re-emergence of two men. The first is their brother Father Jack, a missionary long lost to the ways of African culture who has returned home. The second man is Gerry Evans, Michael’s father – a Welsh travelling salesman who sweeps in and out of Christina’s life as if he had no cares or responsibilities in the world. He has returned to see his son and to stir Christina’s emotions up once more before leaving to fight in the Spanish Civil War. The impending arrival of a woollen factory threatens what paltry income Agnes, Rose and Christina earn from knitting gloves and falling school numbers leaves Kate without a job. As the oldest sister, Kate feels responsible to keep the family dynamics together, in the most stubborn way possible.

Only three films remain for our coverage of Streep in the 1990s. All three fall into the category „films that wouldn’t be made today“ or “there wouldn’t be an audience at all”. Truth to the bold, it’s a miracle these films were released theatrically in the 1990s anyway, was it not a testament to Streep’s star power to greenlight projects about cancer, dancing sisters in Ireland and music teachers. Such is the case for „One True Thing“, which, on the outside, looks like a movie-of-the-week on Lifetime, a problem film for the privilegded white, or a film about noble housewives whose equally invested into flower arrangements as she is into her illness. But as the film looms on you with beautifully photographed scenery, it cuts deep – and reminds you why Streep has been recognized as one of the best character actresses of her time. In „One True Thing“, Streep delivers one of her most touching performances of the decade.