Created in 1999, Simply Streep is your premiere online resource on Meryl Streep's extensive work on film, television and the theatre - a career that is unmatched in modern film and that has won her numerous accolades, including three Academy Awards, and the praise to be one of the world's greatest working actresses. At Simply Streep, we have built an extensive collection to discover Miss Streep's work through an archive of press articles, pictures and videos, alongside information on the charities and causes she supports. There is much to discover, so enjoy your stay.
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Jun 13

We conclude our weekly series on Meryl Streep’s films of the 1990s, which started 12 weeks ago and was originally designed with the thought that our lives would have been back to normal 3 months later. Unfortunately this is not yet the case. To all visitors, readers and friends, stay healthy and strong. And enjoy a Saturday dose of “Music of the Heart” if your’e strong enough :-)

The combination of Wes Craven and Meryl Streep in the late 1990s seemed like the most far-fetched idea Hollywood could offer around that time. After all, Craven had single handedly revived the slasher genre with „Scream“, the following films in the franchise and countless knock-offs of who did what when during Summer vacation. Of course, Craven wasn’t new to the genre – he created „A Nightmare on Elm Street“ in 1984, significantly mixed horror cliches with humor and satire and became the „Master of Horror“ for legions of fans. So, what could he possibly be filming with Meryl Streep, if it wasn’t a part of Ghostface’s crazy mother? The story behind the making of „Music of the Heart“ is a prime example to never judge a book by its cover, nevermind how bloody or gory it may be.

“Music of the Heart” tells the story of real-life teacher Roberta Guaspari as she rebounds from a painful divorce and moves to New York with her two sons to start what’s become the hugely popular East Harlem Violin Program. “I wouldn’t have the ability to play the violin. I never would have even thought about it without the gift of that program,” she said during a interview with the Los Angeles Times prior to the film’s release. „“The only reason that I’ve fought so hard through the years is that I love teaching, and I don’t want to stop. The only thing that’s changed in my life now is that I’ve got 10 more things to do all the time.” Guaspari hesitated when Miramax Co-Chairman Harvey Weinstein asked to do a feature based on her life, and then told her that a man known for horror films would direct the project. “I was really frightened, to be quite honest. It was like selling myself to have to put my life up on the screen. All of my friends and family said, ‘No, don’t let them do it,’ ” Guaspari says. But she is satisfied that Weinstein and Craven kept their promise to take care of her story, though it is one that presents a slightly warmer classroom atmosphere than the more disciplined learning environment favored by the real-life instructor.

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Jun 06

„Dancing at Lughnasa“ remais a curiosity in Streep’s filmography, but a lovely one. Brian Friel’s play about five unmarried sisters in 1930s Ireland was a runaway hit after ist 1990 premiere in Dublin and later London, winning the Olivier Award for Best Play, followed by its transition to Broadway the next year and winning the Tony for Best Play and a Best Featured Actress award for Brit Brennan. But besides its success on the stage, „Lughnasa“ was never a dead-ringer to become a box office hit in theatres. Streep’s casting secured the film an international spotlight and decent reviews, but it struggled to find a mainstream audience. Today, „Dancing at Lughnasa“ reigns among Streep’s fine work in the 90s, but is often forgotten to be mentioned at all.

Friel’s story explores themes which were central to Irish cinema and to Irish culture more generally in the 20th century, namely, emigration; the position of women in Ireland (rural) society, including illegitimacy, being unmarried and working at backbreaking labour; the relationship between the legacy of popular ‘pagan’ religious practice and the institutional church; and the point-of-view of a young boy recalling his childhood and the events which formed him. In 1936, five sisters live in quiet desperation in the small town of Ballybeg in Donegal.The eldest sister, Kate, a local schoolteacher is a woman of rigid beliefs. On the surface she is a formidable woman,a little feared but deeply loved by all of her sisters, especially Maggie, who has a kind benevolent heart, a wicked sense of humour and a wild fondness for life. Agnes is a quiet, deep woman with secret reserves of courage. She is devoted to Rose, who is simple, frightened of no danger because she does not know any. Rose has embarked on a relationship with a local married man, Danny Bradley much to the concern of her sisters. Christina, the youngest, has defied the strict morality of her society and given birth to a love child, Michael. All of their lives are thrown into turmoil by the re-emergence of two men. The first is their brother Father Jack, a missionary long lost to the ways of African culture who has returned home. The second man is Gerry Evans, Michael’s father – a Welsh travelling salesman who sweeps in and out of Christina’s life as if he had no cares or responsibilities in the world. He has returned to see his son and to stir Christina’s emotions up once more before leaving to fight in the Spanish Civil War. The impending arrival of a woollen factory threatens what paltry income Agnes, Rose and Christina earn from knitting gloves and falling school numbers leaves Kate without a job. As the oldest sister, Kate feels responsible to keep the family dynamics together, in the most stubborn way possible.

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May 30

Only three films remain for our coverage of Streep in the 1990s. All three fall into the category „films that wouldn’t be made today“ or “there wouldn’t be an audience at all”. Truth to the bold, it’s a miracle these films were released theatrically in the 1990s anyway, was it not a testament to Streep’s star power to greenlight projects about cancer, dancing sisters in Ireland and music teachers. Such is the case for „One True Thing“, which, on the outside, looks like a movie-of-the-week on Lifetime, a problem film for the privilegded white, or a film about noble housewives whose equally invested into flower arrangements as she is into her illness. But as the film looms on you with beautifully photographed scenery, it cuts deep – and reminds you why Streep has been recognized as one of the best character actresses of her time. In „One True Thing“, Streep delivers one of her most touching performances of the decade.

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May 27

We Are One Public will include performances and appearances by Meryl Streep, Lin-Manuel Miranda, Todd Almond, Troy Anthony Burton, Michael Cerveris, Daniel Craig, Carla Duren, Danaya Esperanza, Jane Fonda, Nanya-Akuki Goodrich, David Henry Hwang, Brian d’Arcy James, Alicia Keys, John Lithgow, Brian Stokes Mitchell, Margaret Odette, Kelli O’Hara, Suzan-Lori Parks, Phylicia Rashad, Jay O. Sanders, Liev Schreiber, Deandre Sevon and Martin Sheen. The event will be streamed on the Public’s website, YouTube and Facebook on June 1 at 8PM ET. They join previously announced stars Glenn Close, Antonio Banderas, David Hyde Pierce, Anne Hathaway, Laura Benanti, Kim Blanck, Ally Bonino, Danielle Brooks, Jenn Colella, Elvis Costello, Claire Danes, Holly Gould, Danai Gurira, Stephanie Hsu, Oscar Isaac, Nikki M. James, John Leguizamo, Audra McDonald, Grace McLean, Sandra Oh, Mia Pak, Phillipa Soo, Trudie Styler & Sting, Will Swenson, Shaina Taub, Kuhoo Verma, Ada Westfall, Kate Wetherhead and more. The event is directed by Kenny Leon with music direction by Ted Sperling; Anne McPherson will serve as production stage manager. Audrey and Zygi Wilf are the gala honorees, and the artistic honoree is Sam Waterston, who has performed in 13 productions at the Public. The gala co-chairs are Kwame Anthony Appiah, Candia Fisher, Joanna Fisher, Laure Sudreau and Lynne Wheat. The gala will be complemented by an online auction which will open a week before the event. Auction items range from virtual artist meet-and-greets to master classes and private performances. For more information, head here. Many thanks to Glenn for the heads-up.

May 06

According to Deadline, a virtual concert event to benefit the Covenant House charity for homeless and trafficked youth has lined up a 50-plus roster of stars to perform or appear for the May 18 fundraiser, including Meryl Streep, Diane Keaton, Jon Bon Jovi, Rachel Brosnahan, Stephen Colbert, Martin Short, Dolly Parton, Dionne Warwick, Stephanie J. Block, Tony Shalhoub, Charlie Day, Chris O’Dowd, Zachary Levi and Zachary Quinto. A Night of Covenant House Stars, to be held Monday, May 18 at 8 p.m ET on the Broadway on Demand streaming platform, will be co-hosted by six-time Tony Award winner Audra McDonald and 60 Minutes correspondent John Dickerson, both members of the Covenant House Board of Directors. The event is designed to support Covenant House, the international, mostly privately funded charity providing housing, food and healthcare to children and youth facing homelessness, and the front-line staff working during the COVID-19 crisis. “This virus does not get the last word,” said Covenant House President & CEO Kevin Ryan. “This amazing group of stars uniting in love to help us care for kids is proof positive of that.” Event proceeds will benefit Covenant House’s work across 31 cities, in six countries. The event is produced by Jeff Calhoun, the Broadway director and choreographer, and Covenant House Board member. The fundraiser will be held one day after the official launch of the Broadway on Demand platform, which kicks off with the 30 Days Of Opening Nights concert on Sunday, May 17 to benefit performers, playwrights, composers, musicians and stagehands affected by the COVID-19 health crisis. Access to view both events will be free of charge. In addition to Broadway on Demand, A Night of Covenant House Stars can be streamed on iHeartRadio Broadway, Facebook, Twitch, YouTube, and Stars in the House.

May 01

In a recent interview with Collider for his new Netflix limited series Hollywood, Murphy shared the latest status on this film, called The Prom. Thankfully, Murphy seems to have finished nearly all of his principal photography before the pandemic hit, especially with lead performers like Nicole Kidman, Meryl Streep, James Corden, Andrew Rannells, and others. Because of this, Murphy believes they can still hit their planned release window: “All of the leads had wrapped. The last scene that I shot was Nicole Kidman’s last scene. Meryl had finished and James Corden had finished, and Andrew Rannells and Nicole had all finished. The only thing that I had is I had two days of second unit pickup… I hope this summer I can go back and quickly pick them up… The movie was supposed to come out right around Christmas, was the plan. November, Thanksgiving, Christmas in that window. Hopefully, I’ll be able to still do that.” A Murphy-directed movie musical based on the hit Broadway musical about out-of-touch theater stars who flock to a small town to force their high school to allow a gay couple to attend prom, with this bonkers cast, sounds like the perfect holiday season pick-me-up, particularly after this dreadfully quarantined summer we’re all having. Murphy was immediately attracted to the progressive nature of the material, saying, “I love the message of it. I really related to the protagonist. Emma is from Indiana and is not allowed to go to her prom because she’s gay. And I’m from Indiana and I wasn’t allowed to take a man or a male compadre to my prom. I related to it, so I believed in the message.”

And for fans of The Prom wondering what tunes from the show made it? Murphy gave us this big update: We used all the songs and then we’ve written one new song for it, one new original piece for The Prom. That was really fun to work on and it’s a great ballad, and it’s really a moving song about acceptance and prejudice. I think a lot of people will love it. Yeah, we kept every song and we added one, which is a lot, but it’s fun, worth it. Like many other movie musicals, the team has added a new song to the roster of existing material — often a play at an Oscar for Best Original Song. It’s also surprising to hear they’re keeping every single song from the original show in — usually a few tunes get cut when stage musicals are turned into films (i.e. “The Ballad of Sweeney Todd” somehow not making it into Sweeney Todd). This sounds like it’ll be quite the tune-filled affair — and here’s hoping the new song blends in with the rest well enough. As for how Murphy got this star-studded cast to sing these well-known (and one original) song? Well, all he had to do was ask: “I’ve never done this in my career, but I called up three people I’ve always wanted to work with, which was Meryl Streep and James Corden and Nicole Kidman. And I said, ‘I want to do this. I believe in it. I want to work with you. Do you want to do it?’ And all three of them went to see [the play] within that week, I think, and they all called and instantly said, ‘Yes, I will do it.’ The fact that I could get Meryl Streep to love it and be into it and believe in it as much as I did, I just couldn’t believe that I got Meryl Streep to say yes in a one week window.” Many thanks to Glenn for the heads-up.

Apr 27

Meryl Streep, Christine Baranski and Audra McDonald wowed on Sunday night during an online concert celebrating the 90th birthday of legendary Broadway composer Stephen Sondheim. Appearing from their respective homes in their bathrobes, the actresses performed a spot-on and hilarious rendition of “The Ladies Who Lunch” from Sondheim’s 1970 musical “Company” – complete with swigs from wine goblets and cocktail glasses (and in Streep’s case, directly from the bottle). The actresses seemed to relish the “I’ll drink to that” refrain from the classic tune, which was first performed by Elaine Stritch on Broadway (and more recently by Patti LuPone in a revival that was due to open this month before the coronavirus pandemic shut down Broadway theaters). The trio joined a host of Tony-winning luminaries for the online event, including Neil Patrick Harris, Lin-Manuel Miranda, Patti LuPone, Bernadette Peters, Josh Groban, Jake Gyllenhaal, Jason Alexander and even Steven Spielberg (who didn’t sing but gave an online shout-out to Sondheim). Tony winner Raúl Esparza helped organize the event to raise money for Artists Striving to End Poverty), which generated donations through the Broadway.com YouTube channel. Drama Desk Award winner Mary-Mitchell Campbell served as music director for the concert, with Paul Wontorek directing. Watch the full “The Ladies Who Lunch” performance above. You can also check out the full two-hour-plus concert, “Take Me to the World: A Sondheim 90th Birthday Celebration,” here.

Apr 07

After an on-demand release earlier this March, “Little Women” has been released on DVD and Blu-Ray in the United States, today. Screencaptures from the film, as well as the making of and interview, have been added to the photo gallery. Enjoy, and make sure to grab your copy!

Photo Gallery – Career Photography – Little Women – Blu-Ray Screencaptures
Photo Gallery – Career Photography – Little Women – Making Of Screencaptures
Photo Gallery – Career Photography – Little Women – Interview Screencaptures

Apr 01

In celebration of Earth Day, “Here We Are” will premiere on Apple TV+ on Friday, April 17. Lending their voices to the animated Earth Day short film are Meryl Streep, Chris O’Dowd, Jacob Tremblay and Ruth Negga. This captivating animated film, based on the No. 1 New York Times Bestseller and 2017’s No. 1 TIME Best Book of the Year, follows a precocious 7-year-old (voiced by Tremblay) who, over the course of Earth Day, learns about the wonders of the planet from his parents (voiced by O’Dowd and Negga) — and from a mysterious exhibit at the aptly titled Museum of Everything. The insightful and poignant short film is narrated by Streep. From the multi-BAFTA and Emmy Award-winning, Oscar-nominated independent animation studio, Studio AKA, the 36-minute film is written by BAFTA Award-winning Philip Hunt and Academy Award-winning Luke Matheny; directed by Hunt, and executive produced by Sue Goffe, Hunt and renowned author Oliver Jeffers. Alex Somers is the music composer.

Mar 13

As the world reels in reaction to the ever-expanding coronavirus and nations like Italy and Iran grind to a halt, The Prom is being called off, for now, according to Deadline. The Ryan Murphy helmed feature adaptation of the Tony-nominated stage musical has shut down production, I’ve learned. The move for the Meryl Streep and Nicole Kidman-led Netflix film comes out of “an abundance of caution,” a source close to the movie says. “No one has the coronavirus, this is just being prudent with everything that is going on around the world,” another individual with knowledge of the situation stresses. Already in the process of loading out on the Paramount lot, The Prom was set to be wrapped in the next few days. However, an on-location shoot today at a local school proved the catalyst to halting a little early. Permits were pulled due to the school in question closing its doors altogether due to coronavirus worries that have seen a number of education institutions in and around L.A shutter. In terms of The Prom, the plan right now is for work to resume in mid-April, though that could depend on the way COVID-19 spreads in the coming weeks around the world and in L.A. This will also likely impact production on Impeachment, as Murphy was set to shift from the feature to the last installment of FX’s American Crime Story franchise.